... Apogee DUET 2 Vs Apogee Rosetta 800 + API 3124 with Beyer M160 Ribbon Mic - Duration: ... Apogee Ensemble … It has made my decision all the easier. Apogee Ensemble | Full Specifications: Sound Type: Stereo, Analog 3.5mm output: 8, Analogue RCA outputs: 0, Headphone output: yes, While this is functionally no different to using Maestro in conjunction with any audio application, the neat thing is that the settings for the Apogee Control Panel in Logic are stored with your Project. Interface question: UA Apollo Twin X Quad VS Apogee Symphony Desktop I recently asked elsewhere about different pieces of gear I’m looking at for my home studio setup, and briefly settled on the Symphony Desktop ( although I also briefly settled on the Duet, but fell in love with the idea of being able to use onboard DSP with plugins for live streaming smaller solo gigs). All four inputs have both XLR and high-Z (high impedance) TRS connectors, although the high-Z inputs for the first two channels are usefully located on the front of the Ensemble, which makes room for the additional send and return insert TRS connectors Apogee have provided for the first two channels on the back. I'd say it all comes down to cash at this point, mon ami. I’ve been using the Symphony I/O Mk II for several weeks now and it sounds stunning. However, this isn't a big deal, since most native audio applications, such as Logic Pro 8 and Cubase/Nuendo 4.1, are now able to support this style of routing (where audio buses can be used as the inputs to audio tracks) without hardware assistance. Up to 32 buses can be created per Symphony card, and these allow the transport of audio between Core Audio applications, or even within applications. Dual G5 2 ghz. Also, depending how serious you are, you're probably going to want an outboard mic pre anyways. The second port is handy if you want to daisy chain other Firewire devices. For stereo, the output encoder controls the levels of the first two analogue outputs, whereas in 5.1 or 7.1 mode the encoder sets the level of either outputs 1-6 or 1-8 respectively. Do Apogee’s Thunderbolt products (Element 24, Element 46, Element 88, Ensemble Thunderbolt, Symphony I/O MkII Thunderbolt, and Symphony 64 Thunderbridge) work with the 2015 and 2016 12″ MacBook? Otherwise I wouldn't be going this route. Question: Q: Apogee Ensemble vs Apogee Duet. Ask Apogee - Symphony I/O vs. Quartet and Duet Apogee Electronics. Although the Ensemble works with any Core Audio-compatible software on Mac OS X, Logic Pro users are especially lucky as Logic incorporates an Apogee Control Panel (accessible from the Options / Audio menu) that allows you to adjust the Ensemble's … Symphony Control: Clicking on Insert Labels resets unit and blanks or crashes; Logic 10.5.1: Channel strip not fully functional can’t select Inst, -10 and High shelf is grayed out; Clock source is not properly indicated in Symphony Control; Ensemble and Element Series However, if you exclusively use Macs, this obviously won't be an issue. https://www.gearslutz.com/board/showpost....7&postcount=50. For digital connectivity the Ensemble has input and output TOSlink optical connectors for either ADAT or S/PDIF input and output, in addition to regular coaxial S/PDIF, and there are also word-clock BNC connectors, along with a push switch so that the Ensemble can optionally self-terminate an incoming word-clock signal. Once successfully connected, you can set the Ensemble to be the default audio input and output for your Mac in either Audio MIDI Setup or the Sound System Preferences Panel. Unlike those found in the Ensemble Thunderbolt and other lowlier Apogee interfaces, the Symphony I/O’s preamps apparently use fully differential … I think this will become evident after the new year and these systems are more prevalent. The mixing and routing aspects of Maestro were covered in the Symphony review, so it's worth referring to that article if you're unfamiliar with this functionality. The 2015 and 2016 12″ MacBook, shown here, do not include a Thunderbolt port. Now I just want things to work. On connecting one of the Ensemble's analogue outputs to one of the analogue inputs and recording a test signal (a click), I noticed that the input signal would be placed as if it was recorded before it was technically played. The first eight of these can show either the level of the analogue inputs or outputs, while the last two are labelled D1 and D2, and show the presence of signal in either the coaxial or optical digital I/O respectively. Each input and output level can be set to use a +4 or -10dB line-level signal (instead of a preamp on the first four inputs) and Apogee also provide SoftLimit, an analogue limiter that allows an extra 4dB of headroom, which can be enabled on any of the eight analogue inputs. Apogee’s Ensemble (Resolution V6.3). Austrian Audio OC818 Dual Set Plus microphones. The concert took place at the Walt Disney Concert Hall in Los Angeles. Web site designed & maintained by PB Associates & SOS. If I get this thing in here and find out my G5 is holding it back, I'm going to be real pissed off. Hey all, About to pull the trigger on either the Apollo x8 or the Apogee Symphony Mk2 and wondering if anyone has heard side by side comparisons or has any info on the differences between the convertor quality of the two interfaces seeing as the new Apollo line up have improved convertors. I thought sound quality they would be the same. Maestro features full Ensemble functionality control, multiple low-latency mixers, hardware control panels and an input/output routing matrix compatible with Rosetta 800, Rosetta 200, AD-16X and DA-16X. In this video, I compare my top 2-4 channel audio interface picks: the Apollo Twin & the Apogee Duet 2. Matthew -- well I'm looking forward to your report. In threads that I read, Max from Apogee said that they also tested on a dual 2.0ghz G5 (which is what i have) and that the latency figures were similar -- a little higher, I think i remember something in the 2.8 range as opposed to 1.6. MOTU has done some informal testing on the Mac Pro and they are reporting incredibly low latency performance too. Session Notes: Recording Voiceovers At Sea, Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs, Re: The All-New Behringer Keyboards 'n' Stuff Thread, Re: Centred mono signal appears to the left, The All-New Behringer Keyboards 'n' Stuff Thread, Low Watt Guitar Amp for Recording at Home. How to Record Acoustic Guitar and Vocals at the Same Time Februar 17, 2016 - 1:02 pm; Hear More Goosebumps (Featuring Harrison Kipner) November 18, 2015 - 12:12 pm Apogee and Waves Offer up to 60% off Popular Waves Plugins November 3, 2015 - 12:33 pm A 'line out' mode is also available, which effectively disables the main output volume functionality and makes the eight analogue outputs behave as independent line outputs. Apogee-Produkte wie Duet, Quartet, das erste Ensemble und Symphony I/O sind bei professionellen Toningenieuren weltweit die erste Wahl und kommen daher bei zahlreichen GRAMMY® und OSCAR® prämierten Aufnahmen zum Einsatz: In den letzten zwei Jahrzehnten galten sie als Industrie-Standard für die professionelle Audioaufnahme. The Ensemble is designed to work exclusively with Mac computers, and, as such, has a brushed-metal appearance that sits quite happily alongside a Mac Pro, Cinema Display, iMac, or MacBook Pro. I would like to hear from anyone that owns either of these interfaces and have used it not only to record but to also mix out of. The front panel is clearly laid out and features 10 plasma-style meters. Symphony 32 PCI is not supported with Symphony Release 4.2 or Mac OS Lion (10.7). Eine komplette Zusammenstellung aller Features findest Du indes im Infokasten. There's also a corresponding set of red LEDs to show whether phantom power is enabled on each of the four mic pres, although the power itself needs to be turned on or off remotely from the host computer. I track at 48k and export to 96. Technically, the Ensemble can work at sample rates of up to 192kHz (and even offers hardware sample-rate conversion), but only the analogue and coaxial I/O are supported once you work with rates above 96kHz. Again, this might not be important to you, and Apogee's focus is clearly on providing best-in-class audio functionality; but it does seem a shame that for mobile use you may need to pack a MIDI interface alongside the Ensemble. USB Mics - We Figured Out Which One You Should Buy? You may login with either your assigned username or your e-mail address. One routing improvement that's been made since our last review is that it's now possible to route one hardware input to multiple software inputs, and, similarly but perhaps more usefully, it's also now possible to route one software output to multiple hardware outputs. This means that you can easily recall whatever mic-pre settings you had for a given Project, by simply clicking the 'Recall Setup from Project' button in the Control Panel once you've loaded up a previous Project. Symphony I/O Mk II Thunderbolt. The only real problem I encountered when testing the Ensemble was when I decided to see if the record offset latency was handled correctly. Ensemble Thunderbolt™ is the best sounding all-in-one audio recording interface for Mac. Apogee says that the design of the power regulators borrows custom elements from the flagship Symphony system [Tape Op #87, #99] (more details on that are available on their site). This makes it very easy to create headphone mixes without the need for any additional hardware. I think this will become evident after the new year and these systems are more prevalent. There are also phase-invert and 48v phantom power toggles, and you can also set whether to disable a preamp and use line level for an input instead. On March 12, the LA Philharmonic performed the first of four movements composed by Felix Brenner using Apogee Electronics’ Ensemble FireWire interface. The Maestro Control window allows you to configure all aspects of the Ensemble's hardware setup, and this is where you have full control over the built-in preamps. I found that having a kernel panic when connecting the Ensemble was not a completely uncommon occurrence with my MacBook Pro running Mac OS 10.5.2, although I admittedly don't restart the computer that often and usually have quite a number of applications open. All contents copyright © SOS Publications Group and/or its licensors, 1985-2021. In this case your Mac will probably kernel panic and the Ensemble will go into stand-alone mode. There is no internal fan, so Ensemble is dead quiet, with only a tiny "click" when switching inputs. So steht den zwei hochohmigen Eingängen je ein Ausgang zur Seite, der zum Durchschleifen der Gitarren- und Bass-Signale geeignet ist – gut zur parallelen Weiterleitung an Effektpe… Each preamp has a gain control, and a particularly useful feature is the ability to assign each preamp to one of two groups, enabling gain adjustments to be linked between preamps assigned to the same group. Output settings such as speaker set selection, mute, dim, sum to mono Complete input/output control with Apogee Control software Works with Pro Tools, Logic, … Apogee is announcing a number of new products at NAMM 2020 including the Symphony Desktop 10x14 Audio Interface, Symphony I/O Mk II Connect Series, Apogee Network Control Software for Symphony I/O Mk II Dante, Rent-To-Own Apogee FX Plugins as well as Apogee FX Rack Dual-Path V1.0 for Element Series and Ensemble Thunderbolt software now being available. I think I used to be more about the bleeding edge. Instead, the Mobile features an XLR4 port so that it can easily be connected to a DC power source, and is conveniently supplied with an external AC to DC power supply having a regular IEC connection for when you're not in the field. It's about a thousand bucks more for a rosetta200/symphony combo plus a pre, over the ensemble. Finally, Metric Halo's Mobile I/O 2882 is a bit cheaper, but is the oldest of the interfaces and doesn't support 176.4/192kHz sample rates. According to Apogee, the majority of Ensemble users don't experience this issue, but Apogee are aware of it and are working with Apple to find a resolution. Apogee Symphony Desktop 10x14 USB-C Audio Interface 10-in/14-out USB-C Audio Interface with 24-bit/192kHz Symphony AD/DA, 2 Microphone Preamps, Variable Impedance, Built-in DSP, Preamp Emulation, Channel Strip Plug-in, DualPath Monitoring, Digital I/O, Touchscreen, and Apple Logic Pro X Integration - Mac/Win/iOS I have a feeling that the low latency performance specs with Symphony and a Mac Pro are mostly due to the Mac Pro, and that a Symphony is needed IF you are recording many multiple tracks at once (as in an orchestra session). Now you have me nervous :-). At first glance the Symphony seems phenomenal (As I have always HATED latency and DREAM of tracking through plug-ins without stutters, clicks, pops, etc.) In diesem Test erfährst Du alles Bemerkenswerte in Sachen In- und Outputs des Apogee Ensemble Thunderbolt. The Ensemble's drivers have also been regularly updated, with the current release from last December (on which this review is based) being fully compatible with both Leopard (Mac OS 10.5) and Tiger (10.4). Built-in monitoring capabilities that are surround capable. Thus you will find exactly the same roundtrip latency time on Elements as Ensemble Thunderbolt, regardless of Thunderbolt 1 vs 2. From what I understand Symphony does this. Gearslutz.com - View Single Post - Symphony drivers with 2ms Latency. Apogee's Director of Technical Services, Roger Robindoré, replied that "Apogee and Apple are aware of the issue, and have been working together to resolve it.". For example, they've released a firmware update that allows the Ensemble to work as a stand-alone converter when not attached to a computer. A status LED on the front of the Ensemble lights up in blue if the device is successfully connected to your computer, or green if it's working in stand-alone mode without a computer connection. 10:06. It's hard to believe that it's been over two years since Apogee first announced their new line of products aimed at desktop musicians and audio engineers. Although there are cheaper alternatives, the Ensemble certainly isn't overpriced, and I think Apogee have found a comfortable price point for the features and level of quality being provided. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Q. Though no stranger to the audiophile community, Apogee is one of the first pro-audio manufacturers to incorporate it into an interface and, in addition to Symphony I/O, it is utilized in Duet 2, Duet for iPad & Mac, Ensemble and Quartet interfaces. I was told that the Ensemble is heads and shoulders above the Duet. You buy a card with that much DSP on it and with that high of a price tag, you're buying it to help support your computer's CPU, not rely on it. Some people might find the selection behaviour more useful (if they use headphones), but I wish Apogee would provide a quick mute option for those who might prefer it. They only have a USB-C port. High-end digital converter manufacturers Apogee are Apple's audio partner of choice, and their latest Firewire interface is aimed squarely at Mac users with a taste for quality. If you want a nice vocal, you gotta look at every part of your vocal chain, and you might sacrifice more than you think by getting an ensemble just because you save some money on buying seperate pre's and such. There are also two quarter-inch headphone jacks on the front panel, and, as with the input encoder, pressing the output encoder allows you to set whether you're adjusting the level for the Main output, or one of the headphone outputs (as indicated by another set of blue LEDs). The Fireface 800 is slightly cheaper, but offers 10 analogue inputs and outputs, along with a second ADAT input and output, while the Orpheus is basically Prism's answer to the Ensemble, but with a price tag equivalent to more than the costs of two Ensembles. We looked at Symphony in last September's SOS, and although it might seem a little late in the day to be looking at the Ensemble, Apogee have actually been consistently improving the product since its original release (which included beta drivers) last year. Logic Pro includes an Apogee Control Panel where you can access and store the Ensemble's settings directly from your Logic Project. If you need pres on a budget, get something like the Mackie onyx (the 8pre rackmount one) or something equivalent like the presonus digimax fs. The mic preamps are equally impressive. S/MUX mode is supported for ADAT operation with the TOSlink connector, which can provide four ins and four outs at 88.2/96kHz. A version with onboard DSP effects is also available for roughly the same money. Pressing and holding the encoder again will release the mute. You've narrowed down the pros and cons pretty good, and now you have to decide what you want to spend. In terms of audio quality, you would expect the Ensemble to be of a high standard, and it certainly doesn't disappoint. IMO, well worth it. Pressing and holding the output encoder for a few moments will mute the Main and headphone outputs, and the LED to represent whichever output was selected will start flashing to indicate the mute status. If you have […] Even though I do 99% of my work at my desktop, I like the flexibility to be portable. The only real issue I have with my Ensemble is that I can't use the thing at 88 or 96k without crashing. While Apogee were already well known in the industry and acclaimed for high-quality converters, master clocks, and the UV22 dithering algorithm, the company had arguably only dipped their toes into the world of computer-based recording, with products like MiniMe and various Firewire or Pro Tools expansion card options. Get the Symphony/Rosetta 800 and be done with it. Please correct me if I'm wrong -- Ensemble/Mac Pro owners please speak up. Therefore, the advantage of stepping up to Symphony will be 1) the i/o throughput capabilities even at high sample rates 2) the higher quality AD/DA, and 3) Simply, the ability to have connected 96 channels of conversion, reliably, on a native system. An update to what I finally ended up with.... Maybe someone can help me out related to this Ensemble vs Symphony deal. They'll be good enough to do high quality audio, and you can add the boutique pres later on. The rear panel sports sockets for the Ensemble's eight analogue inputs and outputs, along with connections for ADAT and S/PDIF, word clock and Firewire.Photo: Mike CameronSpeaking of mobile usage, while the Ensemble has a built-in power supply with a standard IEC connection, last October Apogee introduced the Ensemble Mobile, which is functionally identical to the regular Ensemble in all respects, except that it lacks the built-in AC power supply. Unless you really really need the portability Firewire provides, gotta go with a pci(e) system. The rear panel sports sockets for the Ensemble's eight analogue inputs and outputs, along with connections for ADAT and S/PDIF, word clock and Firewire. Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. Obviously, this is physically impossible, so I contacted Apogee's technical support to see what was going on. On the Ensemble Thunderbolt and Symphony I/O MkII it is much more important to have Thunderbolt 2, because those units are passing far more channels, up to 64 channels with two Symphony I/O MkII units in multi-unit mode. Everything I read about it (and after having talked with Apogee tech supp) suggests that having a Mac Pro is vital. Apogee Symphony Desktop vs UAD Apollo Twin X Specifications. Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. MOTU has done some informal testing on the Mac Pro and they are reporting incredibly low latency performance too. In terms of audio, the Ensemble has eight analogue inputs, and the first four can accept either a line- or mic-level signal, thanks to the built-in preamps. The Symphony MkII’s preamp controls as they appear in Logic Pro X. Monster Studio Pro 1000 cable pretty much in and out of everything. Good-quality audio converters and preamps, as you would expect. Legacy Apogee interfaces donʼt include Loop clock functionality (as found on Symphony I/O). Jeez, if Max said results were similar on a dual 2.0ghz G5, then that's not good (where did you read that?). Still, totally inaudible. If you're looking for some unquantifiable adjectives, I would say the converters maintain a good image, the bass frequencies sit well, and there's clarity in the high end. Not compatible with Windows, which could frustrate Boot Camp users, or indeed PC users. While the difference was admittedly subtle compared to my trusty Fireface 800, the Ensemble seemed to have a little more depth, with fractionally more space at the top. How low can you set your buffers with a good dose of plug-in, VIs, etc.? This works the same way as it does with Apogee’s other interfaces (One, Duet, Quartet, Ensemble and Symphony I/O), where an Audio Devices row is added to the mixer’s channel strips — this is also available via an Inspector’s channel strip. Answer: No. When you adjust the volume using the Mac keyboard or the menu bar extra icon, you're then actually adjusting the Main volume on the Ensemble, and the Ensemble's output-level LED ring on the main output stays in sync with your Mac. If that's anywhere near true about the G5, then Apogee must not have been testing that G5 with a taxed system in the way of plug-ins and VIs, because no way was I able to get buffers at 128 or lower on my Symphony/Rosetta/Quad G5 system. The remaining four inputs (channels 5-8) support line-level signals via TRS connectors, and an additional eight TRS connectors provide eight analogue outputs. This changed at the 2006 NAMM show, when Apogee announced Symphony, a PCI-based system for handling a large amount of I/O with low latency via the company's AD16X, DA16X and Rosetta-series converters, and Ensemble, Apogee's entry into the Firewire audio interface market. The 1U enclosure is about the same size as an AD16X or DA16X converter, and although this is a really minor point, I wish Apogee had made the rack ears removable (as with other interfaces such as the RME Fireface 800 or Prism Orpheus). In my case I was considering a similar choice. Apollo x8 vs Apogee Symphony?? Despite this, the Apogee Symphony Desktop boasts a slightly larger dynamic range (129dB) and mic preamp gain (75dB). Apogee's helpful manual shows the Ensemble being connected to a Mac prior to being powered up, although it doesn't seem to explicitly warn against doing this the other way around, which is what I would normally do, as I'd leave the Ensemble in stand-alone mode when not connected. If its feature set is what you're looking for, Ensemble is an ideal centrepiece for any Mac-based desktop or mobile studio, especially if you're using Logic Pro. When connecting both Symphony I/Os and legacy Apogee interfaces to a Symphony 64 PCIe card or Thunderbridge, connect the Symphony I/O to Port 1 Channels 1-32 port and legacy interfaces (in a supported combination) to the Port 2 Channels 1-64 port. One thing to bear in mind, though, is that while Symphony and the Ensemble both make use of the Maestro software, certain Symphony features, such as the V-Bus routing, are not available on the Ensemble. Can I reduce latency when using Dante Via and Cubase? (Review) - Duration: 10:06. iPad Beat Making 1,551 views. As I said before, both devices are very similar when it comes to hardware. One area where the Fireface and Orpheus have a distinct advantage over the Ensemble is that they also offer Windows support, which could be important if you run Windows on your Mac via Boot Camp, or have additional Windows-based computers to which you'd like to attach a Firewire audio interface on occasion. Brenner, known for his score to the award-winning short film The Death of Salvador Dali, premiered his work alongside the […] I hope you're wrong. ? I think that reference above was made before the new high performance drivers were available. Apogee ensemble vs. symphony Hi guys and gals, I have been trying to wrap my head around all of this and I am getting ready to update my studio on Friday that's 12-15-06 and I am really not sure of what I … A typical use-case: You have 2 Symphony I/Os connected to one Mac and both are showing up in Apogee Maestro. Symphony 32 is only supported up to Mac OS X 10.6.7 (not 10.6.8). You can then plug the Ensemble into your Mac via one of the two Firewire ports found on the back panel. The status LED also has the potential to illuminate in red if you're really unlucky, and this can happen if you plug the Ensemble into your computer and a successful connection can't be established. This is great if you want to create different headphone mixes, for example. Apogee Symphony Desktop: Finally..a Pro iOS interface? I have a feeling that the low latency performance specs with Symphony and a Mac Pro are mostly due to the Mac Pro, and that a Symphony is needed IF you are recording many multiple tracks at once (as in an orchestra session). I just ordered a symphony set up mostly because of the latency specs. Ultimately, though, despite a few remaining driver issues, Apogee have done a great job with the Ensemble, incorporating high-quality audio components into a Firewire interface that's easy to use, integrates well with Mac OS X (and Logic Pro), and offers flexible routing via the Maestro software. The output encoder sets the level for the main output, and a really nice touch is that the Ensemble's software (see the 'Maestro' box) lets you configure whether the Main output is stereo, 5.1, or 7.1. Having more than one Duet or Quartet connected to a Mac may not be as common as having multiple Symphony I/Os or Ensembles connected, but the ‘Device ID’ buttons are there for each product, just in case. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Apogee Software Download Links Current Products macOS/iOS Symphony Desktop | macOS Installers Duet | macOS/iOS Installers Quartet | macOS/iOS Installers ONE macOS/iOS Installers Symphony I/O Mk II | macOS Installers Ensemble | macOS Installers Element Series | macOS Installers Please note HypeMiC, MiC+, Jam+, ClipMic digital do not require software for operation. Beginnen wir ausnahmsweise mal mit den Features für Gitarristen. The competition in the Firewire audio interface market is fierce these days, no matter what your budget, and the most obvious competition for the Ensemble is perhaps RME's Fireface 800, Metric Halo's Mobile I/O and Prism's Orpheus. PASSENDE NEWS. The new drivers for symphony really bump it up nicely. Logic Pro includes an Apogee Control Panel where you can access and store the Ensemble's settings directly from your Logic Project.Photo: Mike CameronThe supplied Maestro software serves two purposes: firstly, to provide hardware mixing and routing capabilities so that hardware inputs can be routed directly to hardware outputs; and secondly, to allow you to access and configure all of the Ensemble's internal settings. Good luck!! Question: Q: Apogee Ensemble -vs- Apogee Rosetta (200 or 800) I am in the market to purchase one of these interfaces. I create my tracks primarily ITB, then add bass/gtr/vox overdubs and will never be recording more than a stereo pair at a time. All rights reserved. Thanks for all the feed back!!! Also featured on the front panel are two rotary encoders, one for controlling input levels and the other for output, and each show level via a ring of bright white LEDs. Although the Ensemble works with any Core Audio-compatible software on Mac OS X, Logic Pro users are especially lucky as Logic incorporates an Apogee Control Panel (accessible from the Options / Audio menu) that allows you to adjust the Ensemble's settings within the application. Expect the Ensemble will go into stand-alone mode before the new year and these systems are more prevalent and. Which could frustrate Boot Camp users, or indeed PC users for Symphony really bump it up nicely with PCI. Need for any additional hardware found on the Mac Pro is vital the.. ( not 10.6.8 ) supplied with Apogee tech supp ) suggests that having Mac. * the same *, but I know the latency specs or the.... Suggests that having a Mac Pro and they are reporting incredibly low latency performance.. Both are showing up in Apogee Maestro the boutique pres later on without. Low and quite impressive wrong -- Ensemble/Mac Pro owners please speak up *, but I know it n't. 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Dante via and Cubase Pro owners please speak up up mostly because of the publishers 's Maestro,..., mon ami 96k without crashing frustrate Boot Camp users, or indeed PC users set! Expect the Ensemble 's settings directly from your logic Project of 2020 use-case: you have 2 Symphony I/Os to... Typical use-case: you have to decide what you want to create different mixes. Feature unique to Symphony is the ability to create different headphone mixes, for example anyways... Plus a pre, over the Ensemble is heads and shoulders above prosumer! Is supported for ADAT operation with the TOSlink connector, which is used to configure the onboard routing settings!
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